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Born in Dakar,[2] Gueye spent his early career in Senegal at Diambars, a football academy set up by Patrick Vieira ♣ and Bernard Lama. He joined French club Lille in August 2008. He broke through into the first team in the ♣ 2010–11 season, playing 11 games as the team won Ligue 1,[4] and started in the 2011 Coupe de France Final ♣ win over Paris Saint-Germain.[5] He became a regular starter in the league and the UEFA Champions League over the following ♣ four seasons.[6] His first goal came on 17 February 2011 in a 2–2 home draw with PSV Eindhoven in the ♣ UEFA Europa League last 32 first leg,[7] while his first league goal came on 5 October 2013 in a 3–0 ♣ win over Ajaccio at the Stade Pierre-Mauroy.[8] He was sent off on 21 April 2012 in a 2–0 win at ♣ Dijon.[9]
International career [ edit ]
Career statistics [ edit ]
Paris Saint-Germain
Senegal
The Amityville Horror opened on 3,323 screens in the United States on April 15, 2005[4] and earnedR$23,507,007 on its opening 🏀 weekend, ranking first in the domestic box office. It eventually grossedR$65,233,369 domestically andR$42,813,762 in foreign markets for a total worldwide 🏀 box office ofR$108,047,131.[2]
The film received negative reviews. It holds a 23% score on review aggregator website Rotten Tomatoes, based on 🏀 163 reviews, with an average rating of 4.13/10. The site's consensus states: "A so-so remake of a so-so original."[5] Metacritic 🏀 reports a 33 out of 100 rating, based on 31 critics, indicating "generally unfavorable reviews".[6]
Manohla Dargis of The New York 🏀 Times said, "Low-key creepy rather than outright scary, the new Amityville marks a modest improvement over the original, partly because, 🏀 from acting to bloody effects, it is better executed, and partly because the filmmakers have downgraded the role of the 🏀 priest, played in all his vein-popping glory by Rod Steiger in the first film and by a considerably more subdued 🏀 Philip Baker Hall here."[4]
Marjorie Baumgarten of the Austin Chronicle stated the original film was "an effective little tingler whose frights 🏀 are steady, implied, and cumulative . . . but in the remake the frights are such that you’re wondering why 🏀 the stubborn Lutzes don’t flee after the first night. Obviously, the filmmakers were keen to remake this film exactly because 🏀 the technological advances of the last 25 years now permit more graphic displays of horrific imaginings and computer enhancements that 🏀 can render the invisible world visible. Strategically, the new Amityville never intended to go for the subtler, implied horror of 🏀 the original; this one would be all about scaring the pants off viewers. And in this, the movie generally succeeds 🏀 as sudden scares and flashes of yucky imagery cause audience members to yelp aloud as if on cue . . 🏀 . The most irritating aspect of the new movie, however, has nothing to do with comparisons but rather with some 🏀 of the inherent illogic of the story. Why are we seeing {img} of a hanged girl when we know she’s 🏀 been shot in the head? Images seem to be grafted into the film that have little to do with the 🏀 actual story. Maybe it’s a technique that succeeds within quick advertising spots, but it piles confusion onto the art of 🏀 storytelling."[9]
James Christopher of The Times observed, "There is something pleasurably batty about the way the family blunders on. The chills 🏀 are satisfyingly creepy. The gory special effects are lavish and effective. And the wooden house itself is a sinister architectural 🏀 pleasure. It’s total nonsense of course, but I left the lights on that night anyway."[10]
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